Hordur Torfason describes himself as a reluctant activist. He would rather be writing lyrics than organising a revolution. But while the former make him famous in Iceland in the 70s, the latter has made him globally famous in the new millennium. Trained as an actor, he sees the role of the artist is to criticise, that criticism is a form of love. After the crash of the Icelandic financial system Hordur began what became the “cutlery revolution” that eventually saw the downfall of the government. We ask what the world can learn from the Icelandic experience, both in the revolution itself and the in establishment of a citizen-led government. While there have been some successes – a new citizen developed constitution and laws protecting freedom of expression, Hordur answers with a firm No when asked if Iceland is still citizen-led. There is still much to do.
Hordur is joined in the studio by his husband, Italian architect Massimo Santanicchia who is able to give his perspective on the extravagance that led to the financial crash.
Anger used violently to destroy is the easy way, but we talked together and used our anger as a positive force, peacefully.