Categories
documentary participation

Participatory documentary storytelling

David Green

Ways of using the structures of documentary storytelling to bring user generated content together…interesting stories and broadening participation.

David Green is a researcher at the University of Newcastle’s Open Lab. His innovative Red Tales is an participatory interactive documentary.

Talking points

I wanted to be an architect, I can’t remember when I changed my mind, but I became interested in photography.

Wildlife photography got me outdoors

Best stories and most engaging stories come from a real heartfelt connection and appreciation.

That’s why I find myself drawn to telling stories about the natural world, I find that’s something I can connect with.

I’m interested in how technology can be used to support people in communities to produce documentaries. So often there are interesting stories that are not getting told because it’s not on the media agenda. Conservation groups working to replant areas on the outskirts of towns – this kind of work is really interesting, and the people doing the work are really interesting, but these stories don’t get told. There must be a way that recent developments technology can enable these stories get out there.

Youtube is good but stories get lost in the vastness of it all.

Ways of using the structures of documentary storytelling to bring user generated content together…interesting stories and broadening participation.

There is value in telling stories, even if no one is listening right now…telling a story to yourself is valuable…and the process is important community building.

The motivation for producing isn’t necessarily to connect with a massive audience.

There’s a complex relationship between storytelling and fact. So does a participatory approach mean letting go of factual basis? Good question, I’ve thought about that a lot. Documentary is a representational form, not fact. There are opportunities for fact checking, to minimise potential for mis-representation.

(Activist?) I consider myself to be a researcher at the moment. I’d love to be an activist, it sounds sexy. I’m doing what I can, I believe that there’s more power in collective action. I’m part of a movement that’s receptive to change. I’m trying to do my bit.

(Motivation?) I’m motivated by what I see are some big problems in the world related to wilful ignorance. I’m motivated by what I see as a serious threat to our existence: climate change; widespread destruction of environment; deforestation – irreversible damage that we’re causing to this planet just by being in it. I’ve come here this morning with a plastic coffee cup – even with the best of intentions it’s very difficult to live sustainably.

Things need to change in a really big way, but this can only start in really small ways. So I’m trying to do my bit, and helping others to do their bit – together we’re strong.

(Challenges?) Political change is afoot.

(Miracle?) Working together, collaboration.

(Advice?) Get out there and photograph things, you never know what might be useful.

This conversation was recorded at CHI 2015.

Categories
communication documentary ocean science

Whalers turned citizen scientists

Tess Brosnan

The story of how whalers have become passionate protectors is the story of the change we all need to make

Tess Brosnan describes herself as a humble reporter on a quest to package science stories better. Tess has almost completed her Masters in Science Communication. Her film Whale Chasers, tracks the story of Cook Strait whalers who are now passionate about the future of whales and every year undertake the Cook Strait Whale Count. This is, Tess tells us, an iconic example of Citizen Science. We talk about science communication, documentary film-making, citizen science and hopeful tourism.

In her thesis, Tess describes how citizen science is helping to bridge the gaps between two communities who need to better understand each other. Hopeful tourism is a new discipline which aspires to do the same, rejecting prevailing tourism ideology. There is much evidence of a desire for more meaningful experiences which contribute to fulfillment of life purpose, rather than exploitation of people, animals and environment, materialism etc. There is also an immediate need to reduce human impact on our ecosystem, and for fine-scale monitoring to protect this ecosystem. It is here that citizen science may prove to be the perfect new form of tourism, mitigating human destruction, helping science, and instilling joy, knowledge and stewardship into those who participate.­­­

Film-making 101: don’t squeal when you see a whale

I’m not an activist, I’m a packager, I can be more useful by remaining neutral

Whale Chasers premiers at the Regent Theatre on the 25th October as part of the Science Teller Festival.

Shane’s number of the week: 95. Ninety five percent certainty that climate change is a result of human activity according to IPCC.

Sam’s joined up thinking: A European Commission report this week puts a price on the underpresentation of women in the ICT industry. The European Commission estimates that bringing more women into the ICT industry would boost European GDP by €9 billion. That ICT suffers underrepresention is not new, the challenge is what to do about it. This week I’ve been considering the new landscape of qualifications for computing and wondering if the new structure will help. I’m reminded of the computing for social good discussions we had with Mikey Goldweber and ask if we’re still missing the boat.

Categories
communication documentary television

Activist storyteller

Peter Hayden

I am a storyteller.  I am an activist, I have to be – there’s a hell of a lot to be activist about.

Peter Hayden describes himself as a storyteller, an actor, a film-maker and a naturalist. A generation of Kiwi kids describe him as an inspiration – they are now our scientists, decision makers and environmental activists. Peter has presented and voiced hundreds of nature documentaries on television including Wild South, Journeys Across Latitude 45, and directing series such as Moa’s Ark. And now he has a new book “An Extraordinary Land: Discoveries and Mysteries From Wild New Zealand” (publisher, review).

bringing the drama element to natural history

Trainspotting: This guy on a bike wasn’t Sam, but it might have been:

This guy on a bike nearly ran me over crossing university campus and shouted out “I am here because of you”.